Printing out my images to put on the wall had actually really benefitted my work. - although i have enjoyed working in a smaller sketchbook, i think that the larger scale really brought the imagery to life. - they looked more effective. - a lot more impactful. - the creepy atmosphere was stronger.
- got positive feedback. - the session - reassured me that I'm on the right track - everyones so different - but feel like i have the right quantity - at the right stage of production.
- worried that my designs were not recognised as my authors - but this was praised aa a positive thing. doesn't have to be obvious - as long as its your understanding - thought about the meaning
- eye catching - draw your attention.
- possibility of bringing colour into the designs - think easily adapted to this.
- expressed my interest in jim dine and mono prints - the response was that my work seems like it would be very suited to the mono print process - to keep my textures. - might get lost in other processes perhaps.
- keep experimenting with mono print - I'm getting the impression that its going to be a lot of experimenting and trial and error - until i become comfortable with the process. then begin to consider how to adapt it to my artwork.
Perhaps using the textures to scan in and compile digitally?
-or perhaps working in purely mono print. - possible to create a pure print thats 'neat' - and fits into a design? - when working it was very trail and error, can i predict the outcome of a mono print?
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